Map with: Google Map, or OS Explorer Map from Streetmap.co.uk

Other Sites Within 500m

Natural Arch (Doonie Point S)  * Cave (Doonie Point W, N entrance)  * Cave (Doonie Point W, S entrance)  * Cave (Doonie Point E)  * Cave (Muchalls Shore)  Castle Rock of Muchalls NE cave, NW entrance  Castle Rock of Muchalls NE cave, SE entrance  Ophelia's Bathplug Cave  Castle Rock of Muchalls SW cave  Natural Arch (Doonie Point) 

 Go to the Main Scottish Cave and Mine Database Search Page

Sunnyside Cave

Muchalls Shore, Mill of Muchalls, N of Stonehaven, Aberdeenshire, (Kincardineshire).

NGR:NO 90021 90945
WGS84:57.00954, -2.16593
Length:29 m
Vert. Range:2 m
Altitude:13 m
Geology:Glen Lethnot Grit Formation - metamorphic
Tags:Cave
Registry:main

A raised beach cave whose entrance is hidden behind a talus pile. After a slightly stooping entrance, 3m wide and 1.9m high, the floor is level and mostly sandy, and dry. There is a large rock jutting out from the NE wall about 15m in which makes a bit of a table. There is a 4.3m subtunnel to its right. Width before the rock is 4.5m and height 3.3m. After the rock it narrows a bit for 5m, at which point it is 1m wide and 1.5 m high. The tunnel narrows down to a pointed end a further 4.6m in.

On 6 Nov 20 there were steps with wooden risers held by wooden pegs and also a knotted rope to help to get up the talus slope to the entrance. Inside, on the floor near the table rock, were a dozen or so candle night lights.

Alternate Names: None recorded.

Notes: Access: via Mill of Muchalls down to Muchalls Shore and follow left past a beach hut. Probably best to park beside a field gate, before going under the railway viaduct, after which there are a number of houses, and chickens, ducks and several peacocks wandering.

Links and Resources:

This entry was last updated: 2024-11-21 16:34:26

Errors or omissions in this information? Submit corrections/additions/comments for this entry to the registrars.

All database content Copyright 2025 Grampian Speleological Group.
Web Registry software by Matt Voysey.